Because they build museum-grade reproductions of the MA-1 flight jacket that require prospective owners to be on waiting lists for several years before one even has a chance of possibly, one day, owning the jacket. Because they can say to you, with absolute seriousness, believing that it means something, 'I like your lifestyle!'
Wer hat ihm denn einen solchen Knebelvertrag aufgezwungen? Die Plattenfirma? »Nein, das waren meine Kompagnons. Ich war exklusiv dabei, hatte aber keinen Einfluss auf die Arbeitsbedingungen und den Output. Ich konnte nur hinkommen und komponieren, das war eine unglaublich prekäre Situation. Eigentlich wollte ich gar nicht weg von Kraftwerk, es fiel mir unglaublich schwer, da hab ich jahrelang dran gebastelt.«
-
Malte Müller Karl Bartos über sein Soloalbum und die Arbeitsbedingungen des Unternehmenstyps "Band".
His whole life has been about proving things, to the people around him, to strangers, to himself. This has been successful and spectacularly unhealthy. If the boy in those letters from Chapel Hill is gone, it is this appetite to prove -- to attack and to dominate and to win -- that killed him. In the many biographies written about Jordan, most notably in David Halberstam's "Playing for Keeps," a common word used to describe Jordan is "rage." Jordan might have stopped playing basketball, but the rage is still there. The fire remains
-
Malte Müller Mike at 50. Sounds unreal if you're one of the many growing up with him.
“Paul’s Boutique” was a kaleidoscopically referential art-rap memory palace, constructed out of a thousand samples, at more or less the last moment before copyright law made that kind of music-making fiscally impossible. The album didn’t sell, and the president of Capitol Records, who signed the band, lost his job, but critics recognized it as an evolutionary leap, comparing it to “Sgt. Pepper” and “Blonde on Blonde.”
-
Malte Müller Concerning the fate of artists who don't die, quit or sell out. Aka The Beastie Boys.
look at me in my bedroom with my flannel-shirted boyfriend, look at the perfect meal I made for a picnic on our living room floor, look at me admitting to the dry skin I cured with this yummy organic shea butter — suggests a world flung open to you by a friend who wants to share every worthy secret to help you improve every aspect of your lifestyle. Those secrets, though, are products and humblebrags. The advice they offer is merely how to make ourselves, as women, ever more decorative.
-
Malte Müller Not agreeing on everything here, but this part is spot on.
-
Malte Müller On the psychology of waiting. Via Andreas Markdalen (@youthprojects).
-
Malte Müller Being obsessive makes sense.
-
Malte Müller An interview with Bill Murray.
-
Malte Müller Natürlich benötigen andere Verbreitungskanäle anderes Fachwissen und andere Geschäftsmodelle — aber an den Kompetenzen und Aufgaben des Journalismus ändern sie wenig. Ich frage mich, warum dieser Punkt in der (überaus langweiligen) Print/digital-Debatte so selten thematisiert wird. Wer dort verliert, sind alt gewordene Unternehmer. Keine Journalisten.
Wir müssen uns andere Orte suchen, um einen Distinktionsgewinn zu erhalten, wie ihn Lancia versprach. Wir müssen den Exzess, die Exzentrik, den Eigensinn wieder suchen gehen: Den wüsten Exzess des Delta Integrale, die stille Exzentrik des Kappa Coupé – den Eigensinn vieler Lancias.
-
Malte Müller Exzentrik wagen.
The production will be focused around the fact that when one amplifies the basic constituents of sound into a building such as sine waves and noise, what is reflected back contains an imprint of the space and all of its nuances; just as when an acoustician plays pulses and sine wave sweeps into a space in order assess its properties, or when a bat uses echo location to navigate through an environment.
-
Malte Müller A new project by Emptyset, in the lines of their "Medium" release. Assessing spatial dimensions to create music and noise.
Divided into two rectangles—one dark, one light—the relationship between sea and sky takes on an almost abstract geometry that carries from image to image and ocean to ocean around the world. Like Rothko, Sugimoto conveys a startling range of emotions within a limited vocabulary of black and white tones and a fixed format.
-
Malte Müller Rothko & Sugimoto. Obvious fit.
Now, the sluggish sludge of those records has been housed within a newfound cleansed and gleaming superstructure. Luxury Problems' sustained plods and delayed pulses are all the more reined in and restrained, its underwater asphyxiation colder, and calculated to a higher decimal place.
-
Malte Müller This article says absolutely everything I'd possibly have to say about Andy Stott's new record. For reference: electricgecko.de/2012/shards-slivers (german)
More
Malte Müller A true William Gibson classic.